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The Conversations: Walter Murch and the Art of Editing Film
Michael OndaatjeThe Hollywood Reporter - Voted #83 of The 100 Greatest Film Books of All Time
It was on the set of the movie adaptation of his Booker Prize-winning novel, The English Patient, that Michael Ondaatje met the master film & sound editor Walter Murch, & the two began a remarkable personal conversation about the making of films & books in our time that continued over two years. From those conversations stemmed this enlightened, affectionate book -- a mine of wonderful, surprising observations & information about editing, writing & literature, music & sound, the I-Ching, dreams, art & history.
The Conversations is filled with stories about how some of the most important movies of the last 30 years were made & about the people who brought them to the screen. It traces the artistic growth of Murch, as well as his friends & contemporaries -- including directors such as Francis Ford Coppola, George Lucas, Fred Zinneman & Anthony Minghella -- from the creation of the independent, anti-Hollywood Zoetrope by a handful of brilliant, bearded young men to the recent triumph of Apocalypse Now Redux.
Among the films Murch has worked on are American Graffiti, The Conversation, the remake of A Touch of Evil, Julia, Apocalypse Now, The Godfather (all three), The Talented Mr. Ripley, & The English Patient.
“Walter Murch is a true oddity in Hollywood. A genuine intellectual & renaissance man who appears wise & private at the centre of various temporary storms to do with film making & his whole generation of filmmakers. He knows, probably, where a lot of the bodies are buried.”
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